Fanthology 10.7.2020

Check out these cool stories I came across this week:

Get social! At Freelance Writing Gigs, writer Kimberly Black shares info on the Benefits of Networking with Other Freelance Writers.

Speaking of social – be sure you do it right. Jeanne Veillette Bowerman at Script Magazine has some advice on social media etiquette.

For the DIY crowd, Derek Haines at Just Publishing Advice shows us all how to format an ebook in Microsoft Word.

Writer Katie Buller outlines self-care for authors – advice we would all do well to heed.

File this under “Love the Environment”: Good News Network shares a story by Andy Corbley about a super enzyme that eats plastic bottles.

Fanthology 9.30.2020

Check out these interesting and helpful tidbits I came across this week:

  • Matt Ott, one of my colleagues, penned this timely and thought-provoking piece on personal resilience.
  • Every writer has questions from time to time. Writer’s Digest has some publishing FAQs with answers.
  • Why have your characters walk into a room when they can amble, shuffle, stagger, and so on? One of the readers of Go Into The Story provides a PDF of 115 words for “walk” and a bonus PDF of 90 words for “look.”
  • If you’re planning to do National Novel Writing Month (held in November) this year, be sure to check out The Ultimate Guide to Planning for NaNoWriMo by writer Savannah Gilbo. This comprehensive guide is chock full of good info on novel-planning for any month.

I Do Declare: The bots are connecting some weird dots on my job searches

The artificial intelligence (AI) bots are mucking up my job search and, I suspect, trying to mess with my head. True story.

Like many these days, I have turned job searching into a primary activity, and the job posting sites have became acutely aware of this. Lists of companies looking for someone like me land in my inbox all the time. And I do mean All.The.Time.

That’s not the problem. The problem is that the specific jobs included in the listings are getting more and more … how shall we say? … outside of my wheelhouse. And by that, I mean sometimes the job post and I are not even on the same boat, nor indeed even on the same planet.

I’m a writer/editor. I work with words. The job market for me is not hard to understand. Content manager, copywriter, copyeditor, technical writer, proposal manager, reporter, grants writer: These are the types of job postings I expect when I open the email.

But not long ago, along with writer/editor jobs I started to get job postings like the following, which I am not making up:

  • Home Care Aide
  • Paint Shop Manufacturing Engineer
  • Border Patrol Agent
  • PT Night Trash Collector
  • Special Agent with the Federal Bureau of Investigation
  • Restaurant Biscuit Maker
  • Naval Aviator

Now, these are fine jobs. But trust me when I say there is nothing on my resume that would point to my being qualified for any of them.

Unless Monster, Indeed, Glassdoor, LinkedIn, et.al., were just throwing things out randomly to see what would stick, I figured there had to be a broken algorithm somewhere. I bent thought on how to fix it.

Earlier in my career I did a bit of programming and database work. One thing I learned is that when you’re troubleshooting a database because it has – and please forgive the jargon here – gone all wonky, it helps to start with a simple question:

What does the database think I’m asking it to do?

That often helped me track down the error and fix the code. I tried applying that logic here.

Q: What do these job sites think I’m looking for?

A: Uh…haha…no clue.

And then I gained some insights into this mystery when I came across the new docudrama “The Social Dilemma.” If you haven’t seen it yet, I highly recommend. It’s up on Netflix, which gives this description: “This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.”

I found it both eye-opening and chilling. But I also think it explained a lot, especially when I learned just how much the AI bots were tracking my online movements and storing them as data.

Sure, I had an inkling this was going on, what with having a conversation – in the presence of my smart phone or smart TV – that I was thinking about going to Home Depot and then :::BOOM::: a Home Depot ad pops into my Facebook feed within minutes.

That can be a bit unnerving, depending on the details of the conversation and how much of a smarty-pants the smart devices are, but overall, I get it. The closer you target, the more likely you can close a deal, which means you need to gather data so you can zero in and hit the target. Sure, fine.

Except that these AI bots – at least according to this film – are measuring everything: the people I’m friends with, the lists I follow, the videos I watch, how long I stay on a certain site before scrolling to something else, my Google searches. And then they use these bits of data to come to conclusions about me, which might be wildly off-base.

Take the time I spend on a site, for instance. That’s easily explained. If I pause for an unusual amount of time it’s probably because I stumbled across a bizarre political story and I’m shaking my head in disbelief, whispering “What The What…?”

My Google searches, though. This might be where it starts to go off-rail, because connecting those dots would draw a totally different picture.

You see, I write historical novels. These often require some digging, hence the occasional online searches that can be … well, let’s just call them a bit odd.

For example, when I was writing my book “Turning August,” which is set in Germany during World War II, I needed to find out a wide range of details, such as the euthanasia program, how fast one could travel from Munich to Berlin in a 1940s vehicle, images of members of the Resistance movement, and which French cities were bombed first.

For the cover photo shoot, I ordered a vintage 1940s needle/syringe and an authentic Wehrmarcht uniform on eBay. (I worried what my credit card company thought of me and wanted to send them a note of explanation: “Don’t judge me! These are just photo props!”)

My current work-in-progress is set in the Renaissance period. Thanks to Google, I can tell you where Cordoba is located, when Isabella and Ferdinand took over Alhambra, what happened when Columbus sent his brother to talk to Henry VII about funding his trip to the new world, how long it takes to sail from Marseille to the Port of Palos, exactly how fast a peregrine falcon can fly, and the French word for balcony.

Given my overactive online researching, I really shouldn’t wonder that the AI bots are confused about my capabilities and interests. Though I am curious to see what pops up next. Sword-carving apprentice? Lady-in-waiting? Falcon trainer?

After being invited to apply for Border Patrol, FBI Special Agent, and Naval Aviator, I’m up for anything.

Even making biscuits.

~ ~ ~

Update: Moments after I posted this, another email dropped in with new jobs, including this one:

  • Firearms Instructor for the Department of Homeland Security

Seriously, bots, you’re starting to worry me.

Fanthology 9.23.2020

A few interesting and helpful things I found this week:

  • Running short of ideas? Check out this list of 300 story ideas from Go Into the Story. The blog is written by Scott Myers, who is the most generous man on the planet.

Fanthology 9.16.2020

A few interesting things I found this week:

  • Over on his website, Steven Pressfield discusses the need for historical fiction and its ability to portray notions such as honor and integrity in a way that contemporary literature cannot.
  • While you’re on Pressfield’s site, take advantage of all the expertise he imparts. I recommend starting here.
  • Writer Melanie Roussel has an informative and entertaining post on technobabble. This is a must read for those who write science fiction or speculative fiction.