Fanthology 9.16.2020

A few interesting things I found this week:

  • Over on his website, Steven Pressfield discusses the need for historical fiction and its ability to portray notions such as honor and integrity in a way that contemporary literature cannot.
  • While you’re on Pressfield’s site, take advantage of all the expertise he imparts. I recommend starting here.
  • Writer Melanie Roussel has an informative and entertaining post on technobabble. This is a must read for those who write science fiction or speculative fiction.

I Do Declare: A good historical work is better than a DeLorean

Did I mention that I love this guy?

I am about to take a trip back in time.

My favorite historical novelist, Ken Follett, has a new book out tomorrow – The Evening and the Morning – and I will be at Barnes & Noble when the doors open so I can purchase it, after which I will be immersed in Medieval England until I turn the last page.

In my opinion, Follett is the perfect storyteller. He has a way of weaving a tapestry of time and place that incorporates all your senses and keeps you on the edge of your seat with anticipation, even if you’re an expert in that period of history and know what’s coming.

I fell under Follett’s spell long ago with The Eye of the Needle, a spy thriller involving a German spy in 1940s England. The book stirred in me a passion for World War II that led (years later) to my writing a historical novel about the German resistance.

Follett also created the world of Kingsbridge and its marvelous cathedral in The Pillars of the Earth and the sequels, World Without End and A Column of Fire, and I was so invested in the stories that I feel like a resident of the town revisiting with each book. His latest book is the prequel to these stories, and I can’t wait to see the origins of “my town.”

There are many other historical novelists who are just as gifted – Herman Wouk immediately comes to mind, as does Anton Myrer (more about both of them in a future post) – but Follett is my favorite.

And it’s not just books. I feel the same about period TV shows and movies that are done well. It’s fascinating how a good historical movie or TV show or book can transform me to a different period and hold me in thrall.

That may sound peculiar, but when it comes to entertainment, in both cinema and literature, I have two great loves: history and time-travel.

Though they’re two sides of the same coin, really.

As much as I love historicals, I adore time travel stories, especially in cinematic form. Whether it’s a fun frolic (Back to the Futureand by that I mean I, II, and III, because they have to be taken as a whole) or a serious narrative (The Final Countdown) or a bizarre travel-industry-turned-dystopia (Thrill Seekers) or a zany yarn (Midnight in Paris) or hundreds of other stories.

TV too. The madcap antics of Quantum Leap or the juvenile capers of Voyagers kept me glued to the set every week.

Does it come as any surprise that the time travel episodes of Star Trek were my favorite? (Apparently I’m not alone. They gathered all those episodes and sold them in one boxed set.)

I don’t even mind the plot holes or conundrums. How did Gil get back to his own time? Why didn’t the time gadget get damaged when Phineas and Jeffrey fell into the next time? Why didn’t Doc and Marty use the undamaged car (which still had gas) that was buried in the cave?

Who cares? If you have people slipping into a different era, I’m there.

I can hand-wave inconsistencies away because it’s all about transporting to another time. Living inside history. Seeing it firsthand.

Which is where I’ll be tomorrow. As soon as Barnes & Noble opens.

Fanthology 9.9.2020

A few interesting things I found this week:

I Do Declare: Such trying times call for updated nursery rhymes

Architectural rendering of the house Jack was trying to build provided by E.G. Summers.


On this Labor Day, let’s remember that during the shutdown a lot of people continued to work and, in doing so, kept things a little bit closer to even-keel for all of us.

With that in mind, here’s a 2020 remake of the nursery rhyme “The House that Jack Built”:

~ ~ ~

This is the house Jack was trying to build during Covid.

This is the tech in the County permit office
who processed the forms (while working remote)
for the house Jack was trying to build during Covid.

This is the man from the ISP company,
who repaired the malfunctioning cable lines,
so the tech in the County permit office
could process the forms (while working remote)
for the house Jack was trying to build during Covid.

This is the all-night gas station clerk, who tended the pumps
so the fuel was all set to fill up the truck
for the man from the ISP company,
who repaired the malfunctioning cable lines,
so the tech in the County permit office
could process the forms (while working remote)
for the house Jack was trying to build during Covid.

This is the deli, where brown-bag lunch and dinner were bought by the
all-night gas station clerk, who tended the pumps
so the fuel was all set to fill up the truck
for the man from the ISP company,
who repaired the malfunctioning cable lines,
so the tech in the County permit office
could process the forms (while working remote)
for the house Jack was trying to build during Covid.

This is the cook who burned her hand as she worked at the deli,
where brown-bag lunch and dinner were bought by the
all-night gas station clerk, who tended the pumps
so the fuel was all set to fill up the truck
for the man from the ISP company,
who repaired the malfunctioning cable lines,
so the tech in the County permit office
could process the forms (while working remote)
for the house Jack was trying to build during Covid.

This is the nurse in ER who took care of the cook
who burned her hand as she worked at the deli,
where brown-bag lunch and dinner were bought by the
all-night gas station clerk, who tended the pumps
so the fuel was all set to fill up the truck
for the man from the ISP company,
who repaired the malfunctioning cable lines,
so the tech in the County permit office
could process the forms (while working remote)
for the house Jack was trying to build during Covid.

These are the plans of the house being built
for the nurse in ER who took care of the cook
who burned her hand as she worked at the deli,
where brown-bag lunch and dinner were bought by the
all-night gas station clerk, who tended the pumps
so the fuel was all set to fill up the truck
for the man from the ISP company,
who repaired the malfunctioning cable lines,
so the tech in the County permit office
could process the forms (while working remote)
for the house Jack was trying to build during Covid.

Fanthology 9.2.2020

One of my New Year’s resolutions is to revise the I’m a Fan post on Wednesdays to link to several helpful or entertaining items instead of highlighting one per week. Like so:

  • At Scriptmag: a valuable primer on subtext.

I Do Declare: New Year’s Eve needs to happen more often because I have resolutions to make

I love New Year’s Eve. All that freshness and newness and potential of it all. You get to put away the old year – and won’t we be so happy to do that to this year? – and embrace the new year.

You can throw your arms around the upcoming 12 months and start afresh. The new year is like a big, wrapped box waiting to be opened. It holds a glimmer of excitement, a whisper of something better to come. Possibilities. A shiny new world is tucked inside that word.

Here at the last day of August, this is my New Year’s Eve.

I’ve always felt that September is when the new year happens. School starts. After the lazy meandering of summer, September brings routine and structure. And office supplies! Packs of paper, sticky notes, new notebooks, freshly sharpened pencils, pens in a variety of colors.

It’s a checklist time of year – my idea of heaven – which means things are getting real. Only X number of days until Halloween, until Thanksgiving, until Christmas. No time to waste. To-do lists abound.

So tonight is my New Year’s Eve. Setting resolutions, dining on steak and lobster, popping a bottle of champagne, setting off fireworks at midnight. Just kidding. I won’t go that far. Supper will be the usual fare and fireworks will not be happening (no sense in alarming the neighbors, who might not understand my moving NYE around on the calendar).

But there will be resolutions. And bubbly, probably.

Resolutions are the best part of New Year’s Eve. Intention takes center stage. Resolutions are the great do-over, and for one night at least, you get to feel like a master planner.

Most standard resolutions are about taking better care of yourself or improving yourself in some way:

  • Quit smoking.
  • Eat healthier.
  • Exercise more.
  • Get organized.
  • Save money.

Writer resolutions are different. Sure, we could apply the list above and see some progress and be better people for it, but we writers tend to have a different focus. And a different focus begets different goals.

Here are some resolutions I’ve made in the past. Feel free to adopt for your use.

  • Get organized. By which I mean meet those deadlines – even those that are self-imposed – and remember that you’re on the clock. Yes, it’s your clock, but that doesn’t mean you can fritter away your time. People are waiting to read your work. Getting organized also means avoiding rabbit holes, or at least knowing how to jump back up out of them quickly. When you need to do some research, set a timer. When it dings, close out Google.
  • Feed yourself. Not just your body but your mind. Nourish your thoughts with prose and poetry. If you’re a screenwriter, read as many scripts as you can. If you’re a novelist, dig into books. Read everything you can get your hands on, good or bad. (Yes, the bad too. You need to be able to spot bad writing so you can do better.)
  • Seek peace with your enemies – but make use of the anger. Of course it’s important to let bygones be bygones and forgive those who’ve wronged you. But while you’re working on your peacemaking skills, why not pour all those feelings into your work-in-progress? Give one or more of your characters the same traits as your foes and have at it. Here’s your chance to blast them into next week. (p.s. I’d advise against giving your characters the same names as your real-life foes. You don’t want to spend your future royalties in legal battles over libel.)
  • Use dysfunction to your advantage. Got weird relatives? Of course you do. (Who doesn’t?) Great! You’ve got a ready-made cast of characters. Pull some of that craziness into your work-in-progress. Remember: Normal is  boring. Nobody wants to read about normal. Mentally re-label your family gatherings “Dysfunction Junction” and get on that train. If you’re in therapy, take copious notes. Ask questions like, “What if I didn’t work on these issues? What would that lead to?”
  • Connect with others. Unless you’re collaborating with a cowriter, writing can be a solitary endeavor. It’s important to avert the isolation that comes with it. Get out and about. Do lunch with a friend. At a bare minimum, go walk around a mall or museum or park and be a people-watcher. Observe how they move and what they’re wearing and how they talk. Listen in on their conversations if you can. You need these details for your work.

These resolutions may be a bit on the atypical side, but they’re doable – and you’re more likely to keep at it than a gym membership.

Now I need to set the timer and go look up the words to “Auld Lang Syne.”

Happy New Year!