
Grammarcat emphasizes how not to do emphasis


Here’s one for my fellow screenwriters out there. MovieBytes is my go-to for all the info on upcoming screenwriting contests, including:

If you’re going to write and get published – whether blog posts, newspaper/magazine articles, books, whatever – sooner or later you’re going to encounter these (and other) issues with copyright:
The U.S. Copyright Office has more information than you ever thought you’d need on copyright laws and policies, including details on Title 17 of the U.S. Code and Fair Use.
Find them on Twitter (@CopyrightOffice) or on YouTube (/uscopyrightoffice).
They also have a blog and offer several email subscriptions.
Another excellent resource is Copyright Law in 2020 Explained in One Page, which is much more readable than the .gov info.
I was saddened to hear news that Ennio Morricone died today.
The man was a brilliant composer, with an amazing 520 credits (per IMDB.com) going back to 1960. He was well recognized for his art: 91 nominations and 83 wins, though only one Oscar among them.
Helpful IMDB Trivia informs me that he refused to move to Hollywood, despite being offered a villa by a studio more than once, and lived his entire life in Italy. He was married to the same woman for 64 years (staying away from Hollywood may have helped in that regard), and they had four children. I’m not sure which of these details is more impressive. His steadfastness is to be admired.
His music always feels so haunting – in a good way. It follows me around, seizing me at the most unexpected times, and eventually settles into my soul. I have no doubt I am more enlightened because of it, a touch closer to God, perhaps.
Morricone once said, “You can’t save a bad movie with a good score.” That’s an insightful commentary on the movie industry, but I like to think of it as a metaphor for life as well – if we think of “the movie” as our words/actions and “the score” as the façades we often display. It’s likely that his comment was meant to be taken at face value – a note about the industry – rather than metaphorically. That’s fine. I present my interpretation as one more example of his ability to burrow into my consciousness.
It’s difficult to choose one favorite out of his vast body of work, but if pressed, I’d have to pick “The Ecstasy of Gold,” from the movie “The Good, The Bad, and the Ugly.”
Here’s the man himself, conducting this magnificent piece of work:
And here’s the version from the soundtrack:

Unless you’re collaborating on a project, writing can be quite the solitary endeavor. Even if you appreciate – or even crave – the solitude, it’s a good thing to connect to others who understand the writing life and all its weirdness.
Here are some links where you might find your peeps:

I’m an extreme planner. By this I mean I start every day with a checklist, and I slash my way through it like I’m bringing in the harvest. Which is exactly what I’m doing, I suppose.
I have a master plan that includes an overall 5-year view, a more detailed 2-year view (grouped into quarters), a 1-year view (grouped into months), and weekly views (transferred to a separate planner that groups the weeks into daily views).
I call it my roadmap. I update it every year – reviewing the previous year and moving the specifics (e.g., removing the past year, adding the fifth one out) and revising my goals. Things change. Life happens. Plans get adjusted. We move on.
Last December, I put together a tight plan for 2020 incorporating everything I wanted to accomplish. Here’s roughly what it looked like:
Besides all that, I brainstormed monthly fun activities with the kids (individually … so we could spend quality time alone together) and put them into envelopes, which they would open on the first day of each month and see what was in store.
2020 was going to be my year. My goals might have seemed a bit aggressive, but I was eager and excited and down for it. I was all: “Come on, 2020, bring it on! I’m ready!”
Needless to say, plans fizzled out rather quickly due to circumstances beyond my control in ways no one had a clue were about to happen.
And yet. AND YET. I refuse to fall into the Pit of Pessimism. Sure, we’re halfway through a crazy year that no one could have foreseen, but I’ll be honest: It hasn’t been a complete loss. I did learn some things. True, most of them I’d already known. But it took the extreme nature of this year to remind me and to hammer the lesson home. Which isn’t bad.
Things like:
I expect that my review this December will be quite the introspective journey. And I can’t say I won’t be glad to see this year move on into the history books. It’s my hope that when I make my aggressive plans for 2021, I’ll do it with a measure of the wisdom I acquired this year.
At least that’s the thought that might get me through the rest of this year.
